Showing posts with label Juan Carlos Onetti. Show all posts
Showing posts with label Juan Carlos Onetti. Show all posts

Tuesday, May 11, 2010

Juan Carlos Onetti


Jonathan Blitzer on Juan Carlos Onetti.
Born in 1909 in Montevideo, Uruguay, Onetti was one of the most idiosyncratic and virtuosic Latin American writers of the twentieth century. His readers in Spanish know this. In his later decades, after years of writing in relative obscurity, he earned a reputation as a quirky, cosmopolitan Modernist--a South American Faulkner who also enjoyed an aesthetic kinship with Borges and Céline (an unlikely pairing that only Onetti could provoke). In 1980 Onetti won the Premio Cervantes. He also became known as a writer's writer. Mario Vargas Llosa, Roberto Bolaño, Juan Rulfo, Julio Cortázar and Antonio Muñoz Molina are among his admirers, all of them better-known (and very different) masters who have acknowledged, always in intensely personal terms, the debt they owe Onetti. Bolaño, who attempted to interview Onetti in Mexico in 1975, once joked that he was himself a terrible writer by comparison. Vargas Llosa, for his part, said no other modern writer has grasped the human need for fiction "with more force or originality" than Onetti.
Click to read the full article

Sunday, February 10, 2008

Juan Carlos Onetti - Let the Wind Speak

Tom Boncza-Tomaszewski reviews Let the Wind Speak (Dejemos hablar al viento),a novel from Uruguayan novelist and short story author Juan Carlos Onetti written in 1979.
Onetti is famous for The Shipyard, published in Uruguay in 1961 – a dark story of how a man tries to save an ailing shipyard and fails ingloriously. Let the Wind Speak was written after the author's exile in Spain and is equally bleak, but without The Shipyard's poetry. It's hard to say what has changed, or even that the fault doesn't lie in the translation, but the writing here is portentous, contorted and very masculine.
Read More



AddThis Social Bookmark Button

Please visit SPLALit aStore