Showing posts with label Zoé Valdés. Show all posts
Showing posts with label Zoé Valdés. Show all posts

Sunday, January 06, 2008

Zoé Valdés: La cazadora de astros

Luciana De Mello reviews Zoé Valdés' La cazadora de astros.
Aún así, el gesto de rescate es valorable: detrás de la pintora catalana hay una época, una lucha, una ideología para contar. Es justamente un cuadro de Remedios Varo lo que le da nombre a esta novela. La cazadora de astros ha sido cazada. Zoé Valdés atrapó su vida con una mirada y quiso que hiciera de la suya una obra de arte.
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Saturday, December 16, 2006

I Gave You All I Had by Zoe Valdes

Zoe Valdes's rambunctious new novel is an appetizingly rich stew, full of the varied flavors of Latin culture -- part bolero, part Brazilian soap opera, with hints of the nostalgia of Oscar Hijuelos and the nutty adrenaline of Pedro Almodovar, not to mention the acrobatic literary abandon of Valdes's fellow Cuban expatriate Guillermo Cabrera Infante. Set in Cuba from the swinging 1950's to the grim periodo especial of the 1990's and exuberantly translated by Nadia Benabid, ''I Gave You All I Had'' is a sumptuous story of love and sorrow, a story that -- like so much in Valdes's native country -- is both personal and political.

Valdes's heroine, Cuca Martinez, is a spindly Cinderella born in 1934 in the provincial city of Santa Clara. At the age of 16, she flees to Havana and falls painfully in love with Juan Perez, a smooth operator with two unfortunate attributes: bad breath and mob ties. Even more unfortunately, Juan will vanish after a brief but chaste encounter, only to reappear eight years later as a nightclub impresario and sometime manager of Edith Piaf (an example, we're told, of ''intelligence and sensuality rolled into one, and when those two things meet in one woman, you might as well . . . head for the exit quick or you're a goner'').
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Interview with Zoé Valdés

"To identify as gay or lesbian in Cuba," according to Zoe Valdes, a Cuban novelist and poet who now lives in exile, "is to declare political dissidence. It is equivalent to publishing a manifesto against the government." Though she's heterosexual, Valdes is just the woman to take that challenge. "My brother is gay, my sister's a lesbian, and me, I love the whole world," she says. Gustavo, her brother, translates from Spanish as Valdes takes a sip from her frappuccino on one of New York City's hottest summer afternoons.

She flashes Gustavo a smile, looking at him affectionately with her deep-green eyes as she feeds him her next line. It's an inside joke between them, and they laugh with the intimacy of kinship and the relief of distance from the subject at hand. Gustavo is at the tail end of a giggle when he translates what she said: "In Cuba the gathering of more than three people is considered a conspiracy. But the gathering of three or four gays and lesbians is considered an American invasion."

There is no American invasion in Valdes's astonishing new novel, Dear First Love (translated from the Spanish by Andrew Hurley, HarperCollins, $23.95)--her third to be published in English. But based on this joke, it comes awfully close by Castro's standards, with two lesbians as the main characters. But Valdes will not let anything compromise her writing. At one point Valdes came this close to being punished for signing a book contract with a French publisher without the permission of the government--one of the "crimes" that landed gay Cuban writer Reinaldo Arenas in jail. "When I lived in Cuba," she tells me, "I didn't even know he'd been in jail. That's how restrictive they were with information."
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