The end is nigh in “Children of Men,” the superbly directed political thriller by Alfonso Cuarón about a nervously plausible future. It’s 2027, and the human race is approaching the terminus of its long goodbye. Cities across the globe are in flames, and the “siege of Seattle” has entered Day 1,000. In a permanent war zone called Britain, smoke pours into the air as illegal immigrants are swept into detainment camps. It’s apocalypse right here, right now — the end of the world as we knew and loved it, if not nearly enough.Read More
Based in broad outline on the 1992 dystopian novel by P. D. James about a world suffering from global infertility — and written with a nod to Orwell by Mr. Cuarón and his writing partner Timothy J. Sexton along with David Arata, Mark Fergus and Hawk Ostby — “Children of Men” pictures a world that looks a lot like our own, but darker, grimmer and more frighteningly, violently precarious. It imagines a world drained of hope and defined by terror in which bombs regularly explode in cafes crowded with men and women on their way to work. It imagines the unthinkable: What if instead of containing Iraq, the world has become Iraq, a universal battleground of military control, security zones, refugee camps and warring tribal identities?
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